1978 |
Founder, Industrial/Domestic, experimental music collaboration with Paul Simpson. |
1978 |
Composed, arranged and produced ‘Weird as Fish’ series of seven homemade sound art tapes, distributed amongst the great and the good of the Liverpool post-Punk scene |
1982 |
Contributing artist in Arnolfini Gallery Bristol postcard art project. Created postcards using found ephemera such as discarded maps and pieces of poster art torn from city billboards, collected during Echo and the Bunnymen World tour. The cards were ripped, burned and stitched together to create a montage which was posted to the Arnolfini for display in the Arnolfini Gallery. |
1989 |
Invited collaborating musician in Perestroika in the Avant-Garde, large scale multi-media art event including Sergei Kuriokhin’s Pop Mechanica, St. Georges Hall, Liverpool. Curated by ARK (Colin Fallows and Pete Fulwell) and produced in collaboration with Liverpool City Council and the Bluecoat. |
1994 |
Founder and contributing artist, BOM, electronic based performance art group, featuring members of Echo and the Bunnymen. Live events included the three bandaged band members being splattered and sprayed with paint as they performed. |
1996 |
Founder of Glide, ongoing recording and performance project, engaged in various improvised multi-media performances utilising sound and film projection. |
1997 |
Created and launched glide-hub.com website featuring animated flash artworks (currently archived). |
1999 |
Invited collaborating artist in Sound Drifting: I Silenzi Parlano Tra Loro international on line - on site - on air sound installation, Ars Electronica, Linz, Austria. Curated by Colin Fallows and Heidi Grundmann. Collaborated with Colin Fallows at Ars Electronica and participated in the 24 hours live streaming web mix. |
1999 |
Contributing artist, TRACE audio double CD, 70 international artists’ soundworks (Audio Research Editions, ARECD102), Liverpool Biennial of Contemporary Art. |
2000 |
Contributing artist, ZERO audio CD, 46 international artists’ soundworks (Audio Research Editions, ARECD103), Video Positive 2000 festival; and in ‘Video Positive 2000: The Other Side of Zero’, Bluecoat Gallery Liverpool. |
2001 |
Co-curator (with Colin Fallows and Paul Simpson), Mycroft’s Curious Delight 1, experimental music event, Masque Theatre, Liverpool. |
2001 |
Co-curator (with Colin Fallows and Paul Simpson), Mycroft’s Curious Delight 2, experimental music event, Unity Theatre, Liverpool, in Work, Talk, Rest & Play Conference, North West Arts Board/Liverpool School of Art & Design. |
2002 |
Visiting Fellow at the Liverpool School of Art and Design, Liverpool John Moores University. Created sound art website Radio Remote Control (currently archived). |
2004 |
Invited Glide multi-media performance in Location performance series curated by Colin Fallows, the Baronial Hall, Chethams, Manchester as part of Futuresonic 04 International Festival of Electronic Music and Media Arts. |
2009 |
Invited collaborating musician in Colourfield for Strings sound installation by Colin Fallows in conjunction with the exhibition Mark Rothko’s Seagram Murals at Tate Liverpool. |
2009 |
Visual research and application of transferable improvisational processes used during the composition of sound-works towards the creation of an ongoing series of paintings. |
2009 |
Invited as a Visiting Fellow at the Liverpool School of Art and Design. Developed Screen printing techniques and practices. |
2009-11 |
Painted a series of abstracts some with Screen-Printed elements featuring autobiographical content. |
2011 |
'My Own Worst Enemy' First major solo art show Liverpool Penny Lane Gallery opening exhibition. Paintings Prints and collage Including new work 'My Own Worst Enemy'. |
2011 |
Mr. Brainwash's 'Art Show 2011' included six Will Sergeant screen prints. |
2012 |
First major solo exhibition in the United States of America. ' My Own Worst Enemy' Substrate Los Angeles California Gallery. Paintings Prints and Collage, including new works 'Lifestyles of the Rich and famous', 'I'll Be Riding Your Slipstream' and 'Persistence of Visions'. |